Recent Photo Galleries

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  • Other Recent Articles

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    An Incomplete History of the Chicago Poster Scene

    The Spotty & Nutshell Version of the History of the Global Poster Art Resistance Movement (as it Applies to Chicago)

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    “Hindu Kush,” a Selection from AIC’s Textile Collection

    …Yoors created a great many designs in his lifetime, and weaving them was such a lengthy process that he never produced his work in editions…

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    Snacki Attacks Chicago 

    In February of last year, a new street artist began assailing Chicago’s public space with his scrawl. Snacki has now been painting on Chicago’s streets for over a year, but he is not above doing a sticker or two. Now that the weather has warmed, be on the lookout for new snackis.

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    De-mystifying Collectors’ Group Gifts the Museum of Contemporary Art Chicago

    Every year, a group of collectors fund an acquisition for the MCA. Chicago Art Magazine sat down with Julie Rodriguez Widholm to see what goes on in the process choosing, discussing, gaining consensus for the piece for the MCA. It illustrates the relationship between collector and the MCA, a long-standing tradition that shapes the MCA.

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    Artist, Gallerist: Why aren’t you using Google Alerts? Or Gmail Farming?

    I believe the Internet is here to save the artist. Most importantly the Internet has lowered the point of entry into the arts world. It has cut distribution costs; I can email my artwork to galleries instead of printing out millions of slides and video artists can post their work online for the whole world to see for free if they wish. The Internet has also made contacting masses of people, for instance, to notify them of an art opening, as easy as clicking ‘send’. Labor and money are saved allowing ever more time for the artist to focus on the actual artwork.

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    Art Law: What Artists Need To Know About Copyright

    This series of articles will explain, generally, the basics of copyright law for artists. Copyright law can be confusing, especially with the abundance of misinformation circulated. Therefore, in the event of a copyright conflict, artists should be aware of what their rights are.

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    Lane Relyea on Distribution Systems

    The art world no longer resembles a pyramid with one city at its apex. It is now a horizontal matrix. And more than any single city or exhibition or art event, prestige now accrues to the lines between, the routes of distribution and circulation connecting various centers and gatherings.

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    Group Critique: Friend or Foe?

    What is the function of critique? Robin Dluzen muses on the functionality of group critique.