Part 3: The Burke/Hildwine Crawl
or Part 3 of this feature, we present the Burke/Hildwine Crawl. Stephanie Burke and Jeriah Hildwine are avid crawlers of Chicago’s art scene.
or Part 3 of this feature, we present the Burke/Hildwine Crawl. Stephanie Burke and Jeriah Hildwine are avid crawlers of Chicago’s art scene.
We will dissect the mission statements of Chicago’s two major art museums, The Art Institute of Chicago, and the Museum of Contemporary Art
One year ago, on May 16th, 2009, the Art Institute of Chicago opened the doors to its newest addition, a state of the art Modern Wing designed by Renzo Piano. The Donna and Howard Stone Gallery, located on the ground floor and dedicated to the exhibition of film, video and new media practices, has lived up to its goal of providing a permanent space dedicated to the exhibition of some of the newest forms of artistic expression.
The month of August, while traditionally a slow month in the art world, has been a busy one for street art in Chicago.
This name came from a desire to go up to people in the know and say, “don’t think, just list the first 10 artists that come to mind” and then just list them out on the site, with an image, and just let it be a very lightly juried thing. So me being me, here’s [...]
Lighter than metal, wood type was ideal for posters and large signs, and it’s aesthetic permeates iconic images of the 20th century.
A “finishing school” for artists opens for business in Chicago’s Lake View neighborhood next January. The Institute for Arts Entrepreneurship will emphasize leadership and marketing skills for artists, said Lisa Canning, its founder and director.
The Marina Abramovic Institute, due to open in the fall of 2012 in Hudson, New York, will offer artist workshops, courses for the public, a library, a grants program, and housing for students in seeking to develop interest and quality in performance art.
The Spotty & Nutshell Version of the History of the Global Poster Art Resistance Movement (as it Applies to Chicago)
…Yoors created a great many designs in his lifetime, and weaving them was such a lengthy process that he never produced his work in editions…
Every year, a group of collectors fund an acquisition for the MCA. Chicago Art Magazine sat down with Julie Rodriguez Widholm to see what goes on in the process choosing, discussing, gaining consensus for the piece for the MCA. It illustrates the relationship between collector and the MCA, a long-standing tradition that shapes the MCA.
I believe the Internet is here to save the artist. Most importantly the Internet has lowered the point of entry into the arts world. It has cut distribution costs; I can email my artwork to galleries instead of printing out millions of slides and video artists can post their work online for the whole world to see for free if they wish. The Internet has also made contacting masses of people, for instance, to notify them of an art opening, as easy as clicking ‘send’. Labor and money are saved allowing ever more time for the artist to focus on the actual artwork.
This series of articles will explain, generally, the basics of copyright law for artists. Copyright law can be confusing, especially with the abundance of misinformation circulated. Therefore, in the event of a copyright conflict, artists should be aware of what their rights are.
What is the function of critique? Robin Dluzen muses on the functionality of group critique.
MCA’s acquisiton of Tino Sehgal’s “Kiss” included a mandate that no documentation of the artwork/performance was allowed.