
Editor-in-Chief Robin Dluzen’s Closing Remarks
Many people, from both inside and outside of our city, have told me that Chicago is broken.
Many people, from both inside and outside of our city, have told me that Chicago is broken.
I’d made my bite, introduced myself. What I did NOT do was take these initial rejections personally, nor as the end of the discussion.
I am confident in the value of the artists I work with, and I think collectors ultimately know how to find the galleries and artists that resonate for them.
The aim of Southside Hub of Production is to provide cultural and communal free space as an alternative to the museums, galleries, and universities.
Through scale, dramatic chiaroscuro, and composition, these rather unimportant decorative images are transformed into grand icons.
From the archives of the Chicago Now Blog; by Candice Weber
Marwen is a hub for Chicago’s students–students from fifty-four of Chicago’s fifty-seven zip codes attend Marwen.
From the archives of the Chicago Now blog; By Joyce Owens
With the popularity of his paintings, Scott has translated his photorealism to new media, perfecting the arts of lithography, serigraphy, and giclée.
From the archives of the Chicago Now blog. By Kathryn Born
In my opinion, the role of the curator is much more of a recent phenomenon than that of an artist curating.
White’s work is inspired by the social, but involves multiple interpretations and sharp appropriations of meaning.
Gosia Koscielak coins her online gallery work “internet studio/gallery practice” in order to move away from the dividing line of global and local art.
A post from the Chicago Now blog archive, by Lisa Boumstein-Smalley
Chicago has a very rich local art history that we spend very little energy as a community of participants in actually preserving.