Poland’s Teatr ZAR on the MCA Stage 3/29 – 4/1
Teatr ZAR is the resident company at the Grotowski Institute in Wroclaw, Poland.
Teatr ZAR is the resident company at the Grotowski Institute in Wroclaw, Poland.
The One Man Army Corpse presents a highly charged alternative reality in which monstrous totemic paintings and assemblages act as temple guardians to a new sacred text written by Bell.
Kleefeld manages to speak to her viewers on a universal, metaphorical level, as well as a deeply personal level.
In my opinion, the role of the curator is much more of a recent phenomenon than that of an artist curating.
White’s work is inspired by the social, but involves multiple interpretations and sharp appropriations of meaning.
A group exhibition celebrating the 5 year anniversary of devening projects + editions
Gosia Koscielak coins her online gallery work “internet studio/gallery practice” in order to move away from the dividing line of global and local art.
Iconoclastic artist and philosopher Henry Flynt presents lectures and a screening of experimental cinema for the SAIC community and general public.
Alan Cohen’s exhibition “Revisited Exposures” is a selection of works made in the 1970′s while studying at the ID with Arthur Siegel.
A post from the Chicago Now blog archive, by Lisa Boumstein-Smalley
Chicago has a very rich local art history that we spend very little energy as a community of participants in actually preserving.
Alderman Exhibitions is hosting a Re-Opening Celebration and Screening in their new West Loop space.
Bright Lights, Big City: The Art of Modernism in Japanese Woodblock Prints will examine the early period of modern Japanese prints, from 1904 to 1959.
Jim Trainor has established a name for himself as the anti-Disney.
Upgrade!Chicago presents an evening of experimental sound/music performances and noise/new-media lectures.
Lew’s outlook on what many deem “throwaway” materials – comic books and product advertisements – is simultaneously nostalgic and documentary.
Operation Sidewinder points up the dehumanizing effects of technology on American culture, circa 1970.